SHADER

This work is a dialogue between the tactile wall and the participant. The morphing that occurs when touching the screen is aimed at heightening awareness of the interface of human and machine, providing the machine with communicative characteristics. The screen can be regarded as a reflection of the participant's volatile emotions, distorting the limits and immersing the spectator into a short detachment from reality.

PROCESS

In total, there are 8 different scenes, which all express lexical distortions of shader and real life, blurring the boundary and submerging the audience into a ‘transition’ environment via mediating the invisible depth that is captured by infrared camera.